https://archiveofourown.org/admin_posts/33681
Every month or so the OTW will be doing a Q&A with one of its volunteers about their experiences in the organization. The posts express each volunteer's personal views and do not necessarily reflect the views of the OTW or constitute OTW policy. Today's post is with Julie Bozza, who volunteers as a Senior FSHP Volunteer and project manager for the Open Doors AO3 Fanzine Scan Hosting Project (FSHP) for Open Doors.
How does what you do as a volunteer fit into what the OTW does?
I first did a Five Things in March 2022, for my role as an Open Doors Administrative Volunteer. Back then, Open Doors’ main focus was on preserving fanworks from digital archives that were at risk of being lost. We had also established the Fan Culture Preservation Project (FCPP) which helps fans looking for a new home for their physical fannish artifacts to get in touch with interested collecting institutions, such as the University of Iowa Libraries.
Since then, I’m delighted to say that Open Doors partnered up with the fan-run preservation project Zinedom to create the AO3 Fanzine Scan Hosting Project (FSHP), which runs as part of FCPP.
The OTW is keenly interested in preserving and engaging with our shared fannish history, and making fanworks available to our community. I love the thought that someone might be browsing through Fanlore, or reading an issue of Transformative Works and Cultures, and get curious about a particular fanwork - maybe dating back to a zine published 50 years ago —and then be able to find the text and related artwork preserved on AO3.
What is a typical week like for you as a volunteer?
We have a number of fanzine publishers and individual creators who are already working with FSHP to import their fanworks to AO3. The import process can be quite lengthy, and has numerous steps, so a typical week might involve anything from exchanging emails with publishers or creators, to setting up a formal agreement with them, scanning fanzines and using OCR to convert the PDFs into editable text, proofreading the text, creating AO3 archivist accounts and collections, and so on… At some point we start the actual importing of works as well!
The Open Doors team has a few informal working meetings during the week, so I do my work then and keep an eye out for any FSHP-related questions. We have a large team of volunteers who help with the various tasks, along with their other OTW work, so all sorts of queries can arise.
What made you decide to volunteer?
I used to publish fanzines myself, starting in the late 1980s, and I wrote for and read other zines. As the decades-old badge on Fanlore’s Zine page announces, “FANZINES ARE FANDOM”. That was certainly the case for me, especially here in Australia, which can seem a long way from anywhere! There were wonderful events and conventions, and a group of Australian Buckaroo Banzai fans who would meet up for film screenings and Mongolian meals, but for me the heart of fandom was not only in the people but also in the creativity to be found in zines.
When the task came up of developing the idea of FSHP, writing up the necessary policies and processes, and getting the project underway, it made perfect sense to me that I would volunteer to help drive that.
What has been your biggest challenge doing work for the OTW?
We love spreadsheets in Open Doors, and couldn’t organise our imports of digital archives so well without them. But we knew that FSHP was going to be more complicated still, and we needed a database in order to manage a creator’s fanworks across a range of fanzines - and a publisher’s fanzine content across a range of creators - while dealing with different processes for word-based works and visual-based works.
It was a challenge—but an enjoyable one—to design and map a useful database, with helpful hints and tips from other OTW volunteers. And then to build it. And then to transfer across a whole lot of data from a number of spreadsheets that varied in content and organisation.
What can I say? I loved it! We’ve started using the FSHP Database for real now, and so far (luckily) the complaints have been minimal.
What fannish things do you like to do?
What I love most is writing, but alas I don’t do so much of that anymore. I love The Murderbot Diaries by Martha Wells, and the related tv show, so re-reading and re-watching those is entertaining. Otherwise, Fandom is my fandom - and, now that I’m retired from the day job, I’m devoting many of my hours to supporting OTW’s work in the world. The only thing that could possibly be nicer than that would be for me to be writing again as well!
Meanwhile, if you are a reader, creator, or publisher of fanzines - and there is zine fic or art that you’d like to see preserved on AO3 - please do get in touch with Open Doors. We’d love to help!
Now that our volunteer’s said five things about what they do, it’s your turn to ask one more thing! Feel free to ask about their work in the comments. Or if you'd like, you can check out previous Five Things posts.
The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.
https://archiveofourown.org/admin_posts/33681
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