resonant: Ray Kowalski (Due South) (Default)
For the New House by Ursula K. Le Guin

May this house be full of kitchen smells
and shadows and toys and nests of mice
and roars of rage and waterfalls of tears
and deep sexual silences and sounds
of mysterious origin never explained
and troves and keepsakes and a lot of junk
and a flowing like a warm wind only slower
blowing the leaves of trees and books and the fish-years
of a child’s life silvery flickering
quick, quick, in the slow incessant gust
that billows out the curtains for a moment
all those years from now, ago.
May the sills and doorframes
be in blessing blest at every passing.
May the roof but not the rooms know rain.
May the windows know clearly
the branch and flower of the apple tree.
And may you be in this house
as the music is in the instrument.
resonant: Ray Kowalski (Due South) (Default)
This one is very delightful to read aloud.

Summers Ago
by Isabella Gardner

For Edith Sitwell

The Ferryman fairied us out to sea
Gold gold gold sang the apple-tree

Children I told you I tell you our sun was a hail of gold!
I say that sun stoned, that sun stormed our tranquil, our blue bay
bellsweet saltfresh water (bluer than tongue-can-tell, daughter)
and dazed us, darlings, and dazzled us, I say that sun crazed
(that sun clove) our serene as ceramic selves and our noon glazed cove,
and children all that grew wild by the wonderful water shot tall
as tomorrow, reeds suddenly shockingly green had sprouted like sorrow
and crimson explosions of roses arose in that flurry of Danaean glory
while at night we did swoon ah we swanned to a silverer moonlight than listen or lute,
we trysted in gondolas blown from glass and kissed in fluted Venetian bliss.

Sister and brother I your mother
Once was a girl in skirling weather
Though summer and swan must alter, falter,
I waltzed on the water once, son and daughter.
resonant: Ray Kowalski (Due South) (Default)
This is from a book of poetry parody called Poetry for Cats by Henry Beard, which I very much recommend if you like both poetry and cats.

I read this poem out loud to my cat once and she watched me with rapt attention and then said rrRRRrr in the tone a human would use for 'whoa.' Have read her the poems from the New Yorker from time to time since then, but she's not as enthusiastic about them -- but then neither am I.

Meowl by Allen Ginsberg's Cat
by Henry Beard

I saw the best kittens of my litter )
resonant: Ray Kowalski (Due South) (Default)
Maire Macrae's Song
by Kathleen Raine

The singer is old and has forgotten
Her girlhood's grief for the young soldier
Who sailed away across the ocean,
Love's brief joy and lonely sorrow;
The song is older than the singer.

The song is older than the singer
Shaped by the love and the long waiting
Of women dead and long forgotten
Who sang before remembered time
To teach the unbroken heart its sorrow.

The girl who waits for her young soldier
Learns from the cadence of the song
How deep her love, how long the waiting.
Sorrow is older than the heart,
Already old when love is young;
The song is older than the sorrow.



(Kathleen Raine is also author of "To My Mountain," which inspired Loving North)
resonant: Ray Kowalski (Due South) (Default)
Things
by Jane Kenyon

The hen flings a single pebble aside
with her yellow, reptilian foot.
Never in eternity the same sound --
a small stone falling on a red leaf.

The juncture of twig and branch,
scarred with lichen, is a gate
we might enter, singing.

The mouse pulls batting
from a hundred-year-old quilt.
She chewed a hole in a blue star
to get it, and now she thrives ...
Now is her time to thrive.

Things: simply lasting, then
failing to last: water, a blue heron's
eye, and the light passing
between them: into light all things
must fall, glad at last to have fallen.
resonant: Ray Kowalski (Due South) (Default)
Think of Me in D Major

I know everything I know about dying
      (all doctors do
      is hope and cut)
from what I've been told by my own soft brain
while waiting in a waiting room:
                                    "Dying

seems to be something living organisms
      do naturally.
      You might be next."
I'm waiting for a doctor to check my pulse
and draw blood. I feel sick, not dying,
                                    but scared.

and poor Johann Sebastian Bach is trying
      to comfort me
      in D Major,
soothing with high strings, then coming in low
for a few notes, as if to say,
                                    gravely,

"Maybe you think about dying too much.
      Why, even you
      could live and be
swept away by a dose of baroque music."
The doctor who examines me agrees
                                    with Bach,

reducing all my intimations of mortality
      to medical facts,
      psychosomatic
muscle spasms and gas pains. I am alive,
but the prognosis isn't good: someday I will
                                    be dead,

and even the doctor admits that he can't find
      one cell
      of my soul
with his silver instruments and microscopes.
It's hard to believe that anyone can live
                                    hopefully

if the body is simply a score written in red
      and white counts,
      brainwaves, x-rays.
But harder to believe that anyone can die
when Johann Sebastian Bach argues
                                    for the soul

in D Major, a symphony of goosebumps.
      Maybe what dying
      organisms call
living is learning how to be swept away?
I admit that I feel swept away, somewhat
                                    immortal,

with Johann Sebastian Bach in the air.
      So, if someday
      I disappear,
just think of me as a goosebump, or a note
that disappears in D Major, swept away,
                                    but still here.



John Engman
resonant: Ray Kowalski (Due South) (Default)
So it's World Poetry Day, I'm told. here's a poem that I may first have seen here on a previous World Poetry Day.

My Species

By Jane Hirshfield

even
a small purple artichoke
boiled
in its own bittered
and darkening
waters
grows tender,
grows tender and sweet

patience, I think,
my species

keep testing the spiny leaves

the spiny heart
resonant: Ray Kowalski (Due South) (Default)
Hm, I think I overwrote an entry. Will fix that later. Meanwhile:

[personal profile] summerstorm - top 5 poems?

Not the top five, but five poems I've taken a lot of pleasure from:

Moon and Panorama of Insects -- Gabriel Garcia Lorca )

Portrait By a Neighbor - Edna St. Vincent Millay )


Angels Among the Servants -- Nancy Willard )

At the Feast in the Great Hall -- Ursula K. Le Guin )


Ballad of the Paths in Västmanland -- Lars Gustafsson )


Upcoming prompts below the cut.


Read more... )
resonant: Ray Kowalski (Due South) (Default)
[personal profile] minoanmiss - Top five poets? top five titles?

My knowledge of poetry is spotty in the extreme, with huge gaps, but here goes:

- When I was a kid, someone gave me an Ogden Nash collection. I was just that age when you get tickled, you know? when sometimes you start laughing and you can't stop and the very fact that you're laughing is too funny to be able to stop laughing? I'm sure everybody in my family got heartily sick of that book with its red paper cover and me staggering up and attempting to read them some lines, gasping for breath and unable to get more than a couple of words out -- "And they say, 'The snow is a soft blanket after a winter storm' / Oh, it is, is it, then you sleep under a two-inch blanket of snow and I'll sleep under a half-inch blanket of regular blanket material and we'll see who keeps warm."

- Then when I was in high school I discovered Edna St. Vincent Millay, of whose work I still have quite a bit memorized. (My brain is sticky for verse and I memorize it very easily. It goes in the spot where regular people can visualize things they can't see.) I have less ability now than I did then to overlook how self-conscious and romantical some of her work is, but I still like some of it a great deal, and it planted in me a love for rhymes and forms that I still have even though it's badly out of fashion now.

- I don't know why it took me so long to discover Walt Whitman, but I believe he loves me personally.

- The poetry in the New Yorker right now is usually only entertaining for me because I can count the verbs and call the spouse and complain. ("Three! And two of them are forms of 'to be'!") There was a period in the late '90s when whoever was poetry editor was precisely in line with my tastes and I liked almost everything. My favorite poet from that period is Franz Wright.

- I was familiar with T.S. Eliot from high school and enjoyed reading Old Possum's Book of Practical Cats to the kidlet*, but earlier this year the spouse and I read The Four Quartets together, and I loved them. I'd always heard that they were "difficult," and they are, but somehow my mind had turned "these poems are difficult" into "there is no pleasure in reading these poems," and it's not true at all. (I'm at exactly the right age for them. Don't think I would have gotten much out of them in my thirties, but my fifties are perfect.)

* [personal profile] runpunkrun reviewed Old Possum here, including the disgust and heartbreak of reading a charming rhyme for children and being hit in the face with an unexpected racial slur. Alas.



Upcoming prompts below the cut.


Read more... )
resonant: Ray Kowalski (Due South) (Default)
Thank goodness for the internet - I read this in a chapbook in the '80s and was shocked to be able to find it again.

June 78
Karen Brodine

it's like being sick all the time, I think,
coming home from work, sick in that
low-grade continuous way that makes
you forget what it's like to be well. we
have never in our lives known what it is
to be well. what if I were coming home,
I think, from doing work that I loved and
that was for us all, what if I looked at
the houses and the air and the streets,
knowing they were in accord, not set
against us, what if we knew the powers
of this country moved to provide for us
and for all people--how would that
be--how would we feel and think
and what would we create?
resonant: Ray Kowalski (Due South) (Default)
Why do you stand in the kitchen and yell,
Mewing so much and so much?
O sleek black kitty whom no one can smell,
Why do you stand in the kitchen and yell?
You sound like one of the demons of Hell
And I fervently wish that you’d hush!
Why do you stand in the kitchen and yell,
Mewing so much and so much?
resonant: Ray Kowalski (Due South) (Default)
[personal profile] realpestilence prompted: favorite poem and favorite poet.

My favorite poet right now is Walt Whitman. This changes from time to time, but Whitman is meaning a lot to me right now.

I've also always had a soft spot for my adolescent favorite, Edna St. Vincent Millay, and for Don Marquis' Archy and Mehitabel poems. And I loved the early work of Marilyn Hacker, but her stuff spoke less to me once she stopped using poetic forms.

I couldn't really say I have one favorite poem, per se, but here's one I've been finding particularly meaningful for some years.

Angels Among the Servants )
resonant: Ray Kowalski (Due South) (Default)
The Ballad of John Henry's CEO

Now also on AO3

by Resonant

When the owner was a little baby,
Sittin' on his nanny's knee,
He looked out the window at the old steel yard,
Said, All this belongs to me, lord, lord,
All this belongs to me.

Well, the owner said to the captain,
These new steam drills work a treat.
They work all day, they work all night,
They don't need to rest or eat, lord, lord,
Don't need to rest or eat.

The captain said to the owner,
If you no longer need these men,
They don't work all day and collect their pay,
Who will ride your railroads then, lord, lord,
Who will ride your railroads then?

The owner said to the captain,
Captain, don't you curse and frown.
You can't fight fate, gotta automate,
Keep the cost of production down, lord, lord,
The cost of production down.

When the captain told him 'bout John Henry,
The owner he laughed with glee.
Said, I pay John Henry for his strong right arm
But I get his pride for free, lord, lord,
I get his pride for free.

The captain said to the owner,
Which one will win the day?
The owner said, That's nothing to me.
I get my tunnel either way, lord, lord.
I get my tunnel either way.

John Henry died in the evening.
The captain began to weep.
The owner he ate a nice beefsteak
And went and had a good night's sleep, lord, lord,
Went and had a good night's sleep.
resonant: Ray Kowalski (Due South) (Default)
I want to read some smut and there is none.
I think the universe is very rude.
I thought this evening would be much more fun;
I want to read some smut and there is none.
Am I reduced to knitting like a nun?
Or reading things where people don't get nude?!
I want to read some smut and there is none.
I think the universe is very rude.
resonant: Ray Kowalski (Due South) (zen fen)
Tapping into all the Poetry Month enthusiasm with a request: I'm looking for poems about long love. Not new love, not yearning for love that's about to happen, and not bad old bitter marriage-that-used-to-be-love, but established, mature love.

I've been surprised (and rather depressed) at how difficult this is to find.

One poem that I like quite well is The Country of Marriage by Wendell Berry. Parts of it don't quite ring true to me -- they sound more like a man talking to his deity than a man talking to his wife -- but I love this:


Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don't know what its limits are --
that puts us in the dark.
resonant: Ray Kowalski (Due South) (Default)
Who has seen the cat?
Neither I nor you.
But when you fall and break your leg,
The cat is passing through.

Who has seen the cat?
Neither you nor I.
But when you tumble down the stairs,
The cat is passing by.
resonant: Ray Kowalski (Due South) (Head exploded)
I dreamed I was reading a book of poetry whose title was You Still Don't Realize You're On TV.

Note: Iambic pentameter.
resonant: Ray Kowalski (Due South) (Default)
I'm looking for a sestina by Marilyn Hacker called "Nimue to Merlin." It was in an early collection of hers, one which I think had the word "city" in the title, and may also have been in some collected-works volume, though it isn't in the one I have.

If anyone has this poem, and could type it in for me, I would be eternally (or at least until Thursday) grateful.
resonant: Ray Kowalski (Due South) (Default)
O Tannenbaum, O Tannenbaum,
Your song defies translation.
You're always green.
That's too concise.
Perhaps we ought
To sing it twice.
O Tannenbaum, O Tannenbaum,
Your song defies translation.

O Tannenbaum, O Tannenbaum,
It just won't work in English.
I like you lots.
That has no grace.
Perhaps it's all
Too Lowercase.
O Tannenbaum, O Tannenbaum,
It just won't work in English.

O Tannenbaum, O Tannenbaum,
I wish I were bilingual.
Perhaps the reason
Why you're sung
Is so I'll learn
A second tongue.
O Tannenbaum, O Tannenbaum,
I wish I were bilingual.

Yes, we bought our tree today, hence the doggerel. I've got a little three-footer that I plan to sneak into the kidlet's room in the night.

Another random observation: Humans may be the only animals who blush, but we're definitely not the only animals who whine. The cat is whining at me even as we speak. I think she senses that the laptop has my lap at just exactly the temperature she likes best.

Profile

resonant: Ray Kowalski (Due South) (Default)
resonant

April 2025

S M T W T F S
   12345
6789101112
1314 1516171819
20 212223242526
27282930   

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags