Boring smut
Nov. 11th, 2002 09:04 pmBoring Sex Scene Warning #1: "Let's take this somewhere else."
"Not here." "Could we move this to the bedroom?"
This sort of thing is the reason that some writers do sex scene after sex scene and they're all exactly the same.
The scene leading up to sex might have some nice physical/logistical momentum. The guys might be delighted to find themselves slow-dancing in the living room, or having a deep emotional conversation while one of them stands in the kitchen and the other sits on the counter, or kissing while one of them sits in an armchair and the other one bends forward, one hand braced on each arm ...
... but the moment someone says, "Let's take this somewhere more comfortable, shall we?", then you know the next place they'll be is in a bed, side by side, heads on the pillow.
Why not just have some nice half-dressed frottage in the living room, while the CD player spins "Summertime, and the livin' is easy" again and again? Why not explore the possibilities inherent in having the standing guy precisely at mouth-to-nipple height to the sitting-on-the-counter guy? Why not leave sweaty handprints in the crushed velvet of the armchair and wipe up afterwards with the antimacassar? I mean, what else is an antimacassar good for?
"Not here." "Could we move this to the bedroom?"
This sort of thing is the reason that some writers do sex scene after sex scene and they're all exactly the same.
The scene leading up to sex might have some nice physical/logistical momentum. The guys might be delighted to find themselves slow-dancing in the living room, or having a deep emotional conversation while one of them stands in the kitchen and the other sits on the counter, or kissing while one of them sits in an armchair and the other one bends forward, one hand braced on each arm ...
... but the moment someone says, "Let's take this somewhere more comfortable, shall we?", then you know the next place they'll be is in a bed, side by side, heads on the pillow.
Why not just have some nice half-dressed frottage in the living room, while the CD player spins "Summertime, and the livin' is easy" again and again? Why not explore the possibilities inherent in having the standing guy precisely at mouth-to-nipple height to the sitting-on-the-counter guy? Why not leave sweaty handprints in the crushed velvet of the armchair and wipe up afterwards with the antimacassar? I mean, what else is an antimacassar good for?
(no subject)
Date: 11/11/02 08:06 pm (UTC)(no subject)
Date: 11/11/02 08:06 pm (UTC)And the living-room frottage scene reminds me of one of my favorite 'encounters' - in AuKestrel's Waiting to Fall, Ben and Ray dancing to Sinatra with some lovely upright gropage. See, it *can* be done! And there really should be more counter exploitation. And, well, I'm never going to be able to sit on my grandmother's couch with a straight face again. Antimacassars, indeed.
(no subject)
Date: 11/14/02 07:50 pm (UTC)Ooh, well put. And in fact one of the problems that tags along with the "Let's go someplace more comfortable" is a sense that some kinds of sexual contact are Real and other kinds are not.
(no subject)
Date: 11/11/02 08:12 pm (UTC)(no subject)
Date: 11/14/02 07:50 pm (UTC)(no subject)
Date: 11/11/02 11:31 pm (UTC)What with so few people using macassar oil these days, yeah. I'd also like to vote for a moratorium on certain bits of dialogue, whether or not they make it to the boring bed. Specifically, "What do you want?" "I want you." Well, duh. Having sex with someone tends to be a giveaway, there. It would be refreshing to see something along the lines of, "One blowjob, hold the teeth."
(no subject)
Date: 11/12/02 02:55 am (UTC)(no subject)
Date: 11/14/02 07:54 pm (UTC)Oh yes.
"You're going to like this" (a guy about to give a blow-job to another guy)
"You're kidding. I'd always heard blow jobs were awful."
(Actually, I gather from one of my discussion boards that a fair number of guys can't come that way. I'd love to see that make it into a story. "You're going to like this." "Probably not as much as you think.")
(no subject)
Date: 11/15/02 07:29 am (UTC)I'm totally fascinated by that comment. I've never heard of any bloke saying that before. I thought it was all down to the skill of the person giving head as to how long it lasted. Fascinating!
(no subject)
Date: 11/19/02 10:34 am (UTC)Frohike
Date: 7/2/04 02:03 am (UTC)xxx, Mog
(no subject)
Date: 12/18/02 02:07 pm (UTC)(no subject)
Date: 7/8/03 02:22 pm (UTC)(no subject)
Date: 4/24/04 07:56 pm (UTC)Actually, I've met very few who come strictly from oral stimulation. They have to do some thrusting.
(no subject)
Date: 7/8/03 04:13 pm (UTC)(no subject)
Date: 11/14/02 07:52 pm (UTC)Oh god yes. Can we bring back flogging for that one?
Although I do get where it comes from -- one of the cool things about slash is that there are lots of different things they could do and no Single Default Sex Act.
(no subject)
Date: 11/19/02 10:41 am (UTC)That *should* be true, but in practice, sex in slashfic = anal intercourse, just as to most people sex in a het context = vaginal intercourse. I once wrote an entire Sentinel story, in fact, based on my protest against the term "making love" as a euphemism for "fucking," because to me, "making love" encompasses the entire range of activity, the whole of sexual intimacy, of which intercourse, vaginal or anal, is but one (thoroughly enjoyable) maneuver. The story was called "Making Love," for those who might remember it. *g* That particular euphemism was, you should excuse the term, rampant in Sentinel fic in my day.
I seem to also recall writing a Mulder/Scully piece that consisted entirely of oral sex, no intercourse, in protest against the same tendency in het writing.
*squints suspiciously at recent original stories and vows to give Dermot a good wank soon*
(no subject)
Date: 11/12/02 07:05 am (UTC)OK. Whew. I think I'm probably safe.
(no subject)
Date: 11/12/02 01:44 pm (UTC)(no subject)
Date: 11/14/02 07:55 pm (UTC)(no subject)
Date: 7/8/03 02:22 pm (UTC)(no subject)
Date: 7/11/03 12:16 pm (UTC)(no subject)
Date: 7/2/04 06:27 am (UTC)So while I think there might be other ways to convey it, the process itself is quite well-established enough to keep.
(no subject)
Date: 11/13/02 01:04 pm (UTC)I do see what you mean, but surely the desire not to be cliched needs to be balanced against the fact that sex in real life is kind of cliched? People do end up in the bedroom a great deal of the time, and there are only so many ways to say, "He came."
Eh. I'm just being defensive. I do know exactly what you mean, but I'm starting to get so hemmed in by seeing things that I don't want to do (Okay, that thing there is out of character, and that's been done to death, and that's a little trite, and this over here seems like heterosexual projection...) that I'm worrying I'll never write anything again!
(no subject)
Date: 11/14/02 08:02 pm (UTC)It's partly because of the loss of spontaneity and urgency, but only partly. (I mean, you can't always be spontaneous, especially when you started making out in a bar or someplace else where you could get arrested for continuing.)
The main problem I have with it is precisely what you say: here are only so many ways to say, "He came." One of the ways you get some variety into your sex scenes is by following through with the physical logistics of the first kiss. But writers lose that when they call a halt to the action and drag the guys into the bedroom every time.
(Okay, that thing there is out of character, and that's been done to death, and that's a little trite, and this over here seems like heterosexual projection...)
So glad I'm not the only one subject to the Slash Spiral of Narrowing Possibilities!
(no subject)
Date: 11/13/02 01:54 pm (UTC)(no subject)
Date: 11/14/02 08:03 pm (UTC)(no subject)
Date: 11/14/02 08:06 pm (UTC)Which was very sweet and very much in character for those particular people. But now I'm picturing your particular version of Kowalski: "Fuck you very much, Vecchio. You go brush your teeth, I'll have somebody else on their knees by the time you get back."
(no subject)
Date: 7/8/03 02:23 pm (UTC)interruptus
Date: 7/2/04 02:15 am (UTC)Took a while to sink in but may I say, I was shocked! *Shocked!* (g)
xxx, Mog
(no subject)
Date: 7/12/03 02:45 am (UTC)(no subject)
Date: 7/16/03 11:37 am (UTC)[trying very hard to keep my brain from going to a Bad Lube Place]
(no subject)
Date: 6/11/04 04:03 am (UTC)What I hate most is the command "Bed! Now!" I cannot imagine anyone barking this injunction out when transported by the throes of passion. Nor can I imagine anyone complying with such an imperious monosyllabic turn-off.
"Anti-macassar! Now!"
(no subject)
Date: 6/15/04 08:04 am (UTC)(no subject)
Date: 6/15/04 02:45 pm (UTC)"Let's take this somewhere more comfortable, shall we?"
They went into the hall and stood by the elevator, impatiently, too nervous to even hold hands. Fraser was blushing, his fingers itching to feel Ray's hair. By the time the doors pinged open they were boiling over, like spaghetti on the stove when the element's turned up too high. They stumbled together, almost bowling over old Mrs Smithson from floor nine.
"Don't mind us," Ray told her, slipping off his jacket. "We have some business to take care of." He started undoing Fraser's uniform with his teeth.
"I like elevators," Fraser explained apologetically.
Mrs Smithsonian rolled her eyes and pressed the 9 button a couple more times.
(no subject)
Date: 6/15/04 02:52 pm (UTC)Excellent and funny advice. Thanks.
(no subject)
Date: 7/1/04 06:16 pm (UTC)(no subject)
Date: 7/2/04 03:41 pm (UTC)(no subject)
Date: 7/1/04 06:27 pm (UTC)(no subject)
Date: 7/1/04 07:18 pm (UTC)(no subject)
Date: 7/1/04 10:12 pm (UTC)(no subject)
Date: 7/1/04 11:05 pm (UTC)(And: You are really good food, and I am full.)
(no subject)
Date: 7/2/04 07:52 am (UTC)(no subject)
Date: 7/2/04 09:19 am (UTC)(no subject)
Date: 7/1/04 07:27 pm (UTC)(no subject)
Date: 7/1/04 09:55 pm (UTC)For some reason, I just didn't think of the bedroom... my mind started throwing out old song titles:
"Up on the Roof"
"Under the Boardwalk"
"Do You Know the Way to San Jose?"
"Hernando's Hideaway"
"Why Don't We Do It In the Road?"
As far as "What do you want?" goes ... well, my own experience is that a fair amount of sex talk is less than Pulitzer-quality original when the mind's on more important things. "What do you want?" can be banal... or it can be a way one character finally gets the other to admit something he's trying to avoid ... or it can be cheesy. I'd rather read something that struck an emotionally true note than something glib, innovative, and affected. It's all context...
(no subject)
Date: 12/16/18 09:14 am (UTC)