resonant: Ray Kowalski (Due South) (Default)
[personal profile] mific - "what about the Wraith in Stargate Atlantis? Ever tempted to write John/Wraith fic?"

Considered as monsters, the Wraith were cool and pleasingly icky, and I remember the first glimpse of a hive was seriously creepy. The hand thing was weird and seemed not fully thought through, since why would a creature like that have a mouth? -- but it got points for creepy scars.

Considered as characters ... Michael and Todd had their moments, but I had long since bonded with Hugh the Borg, and they didn't have that early Trek heartstring tug.

The Wraith wanted immortality, which isn't a particularly interesting motivation. The Borg wanted to absorb knowledge and learn to improve, which I seriously relate to, though you'd think that at the point where you're saying to people, "Resistance is futile," you'd think, hey, maybe instead of conquering galaxies we could satisfy our curiosity with a nice student exchange program?

Anyway. Admittedly John Sheppard was very pretty when he was suffering, but mostly I wanted him not so much to be drained of life force as to have nerdy fun, step out of his closet, and feel a straightforward feeling for a change.



Prompts and How To Leave One - behind cut )
resonant: Ray Kowalski (Due South) (Default)
[personal profile] princessofgeeks asks, "How did you go about changing fandoms? Was it, historically, something you did or something that just happened? Did friends lure you? Did you find new shows to watch?"

I think that the last fandom that attracted me because of something in the canon was "Star Trek: The Next Generation" when it was new.

It's much more typical for me to get drawn in by fan activity -- great stories that make me fall in love with a character or a pairing, great meta that fixes things that bother me in the source material.

When I lose interest in a fandom, often it's just that between me and the other fans I feel like we've explored all the most interesting nooks and crannies. I remember [personal profile] cesperanza once saying something like: We write a funny snippet and we write a sexy one-shot and we keep writing bigger, deeper things until we EXPRESS OUR SOULS! and then we wander off into a new fandom where it's all lube and balloons.

Sometimes it's that the canon gets crappy, or that the crappiness that was always there gets harder and harder to ignore. With SGA, it got to the point where I had difficulty making myself watch episodes.

Sometimes it's the fandom that goes sour. That was what happened with BBC Sherlock. I mean, the canon was going sour at the same time, but if that had been the only issue, I could have happily paddled around in pre-Reichenbach canon for at least a few more stories, pretending that Series 3 was no realer than the epilogue of Harry Potter; what drove me out was that the first time I encountered The Goddamned Discourse on Tumblr was in the context of people I admired putting a lot of energy into trying to reason with people whose entire argument was basically "anyone who loves BBC Sherlock is clearly a racist misogynist, and if you support them, you're one of them," and that was Res out.



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resonant: Ray Kowalski (Due South) (Default)
[personal profile] muccamukk asks: Moments in canon that still emotionally resonate with you, many years later.

A nice one to end the meme with!

- Fraser in "Asylum" saying, "You didn't shoot that man," and when Ray tries to talk him out of his certainty he says, "I know you."

- I'm not even especially fannish about these characters, but the moment in "The Breakfast Club" when Andrew the jock is talking to Allison the basket case about parents, and he says, "What do they do to you?" and she says, "They ignore me."

- I was sold on Harry Potter when the snake at the zoo said, "Brazil, here I come." It wasn't just the worldbuilding but the wit.

- Zelenka's description of Atlantis coming up from under the water -- he was speaking poetry, and if you didn't look up a translation, you'd never know.

- Any Sherlock Holmes adaptation is going to live or die in my esteem by how it treats John Watson. BBC Sherlock sold me in the exchange where Sherlock asks what John would be thinking if he were dying. "Please let me live," John says. Sherlock scoffs, "Use your imagination," and John says, "I don't have to."

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